Million Dollar Outlines, by David Farland. In short, I'm very glad I bought it.
In more detail, then. David Farland starts off with what might appear to be a digression -- why do people read? In reality, he gets to the heart of why people read in order to figure out what authors need to do in order to deliver to people what they are looking for when they read. His conclusion? Without nuance, to be put through an artificially stressful time for a good emotional payoff.
Emotional payoff is a theme that recurs.
He then covers audience research, including a lot of information from his days as a movie consultant. This includes the emotions different audiences want to experience (statistically, at least), and how to look at what is selling well now in order to try and figure out what audiences are looking for. This can be done with movies, TV shows, and books, though caveats apply to all of the analysis.
Also included are some ideas and tips on characters and plotting. I thought the tips sections were well done in general, though of course they weren't the primary point of the book.
Then the outlining sections start. Farland walks you though why outlines might be needed and the benefits they bring. He continues with developing the outlines, including working on them over multiple passes and rearranging them at times in order to make them work better. Near the end, he takes you step-by-step through the process he uses to develop an outline.
He then finishes with an appendix containing tips on moving from the outline to the completed novel, and a few items of note -- including some analysis of Lucas and Speilberg's discussions when trying to develop the concept and plans for the first Indiana Jones movie.
The book has me excited to try out some of the techniques, and also to try and combine them with another book I recently read, Story Engineering. I have little doubt that my stories would be better with some more pre-planning and a little less seat-of-the-pants writing.
Some minor critiques I have would include the fact that the story plot graphs aren't very well explained (or perhaps I missed the reference to the book that would explain them). I have a feeling I've been missing something with these, as I've seen them referenced more than once. Then again, I might be able to pick up the idea from the book itself. Also, reading the book on my b&w kindle made some of the graphics included for the plot graphs be less than illuminating, though the main points were easy enough to follow.
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